quiet.


credit: mary parker

"I'm a heart in cold ground. You are my centre when I spin away."

somebody that i used to know.

by kimberley veart

We used to fit so well, it was all so comfortable.

We wore each other out, I suppose. Mended and patched until we matched.

You were like the trusty sweater I could reach for when the days turned cold. I knew (well, I thought) you would always protect me and brighten me up as the world grew grey. 


1993.


credit: guest family collection

why won't you open up to me?

by charlotte guest.

I need you so badly it's making me sick.

I've been biting my nails and pulling out my eyebrow hairs, and now I have stumpy fingers and my forehead is nearly bald.

You are the reason I will someday, sometime next week, be ugly.



north.

credit: elizabeth walker

what to do with an arts degree.

by kimberley veart

There was a hot air balloon floating over the amber clouds as the sun set, and I almost drove off the road.

I was struck, gazing wide eyed through my windshield and almost breathless.

I had seen (dramatic drum roll please) ... my future.

all shook up.


credit: samantha hughes

excuse me, is this gym tonic?

by charlotte guest

I walked out when she told me to shimmy; I don't care how tense my buttocks would have been.

The evening was never going to go well because the lady at the door tried to trick me into buying maracas, and I almost did because I thought she said “maccas”. Then I found out that we had to wave them around like some bollywood Coles advert.

Welcome to Zumba.

strangers in the world.



credit: clare giselle
hourglassamity.tumblr.com

optimists anonymous.

by kimberley veart

I had a dramatic moment of self realisation this week.

Previously, when people pointed out my tendency to saccharine sweetness and sugared happy endings, I would deny that I had a problem. I'm just a party optimist, I'd say. Merely a casual user of the upbeat.

I can give up whenever I want.

left behind.

credit: samantha hughes

things to fill your universe with.

by charlotte guest.

My universe is five metres by three metres, and, sadly, has not seen many big bangs of late.

It's an inner-outer space: a little personality showroom (trinkets, puppets, pencils, book-spines, brooms, clocks, a dying corsage). It is such that if I cracked open my skull I'd expect to see a doll-house version of my bedroom in there.

journey into an exotic land.



credit: janet yates
visit www.janetyates.com.au for more 

touching base with janet yates.

Artist Janet Yates gives Clementine a glimpse at the memories that swim upon her palette. 

Your latest collection, Memories of Exotic Lands, is explosive, the colours leap off the canvas and appear to celebrate these referenced memories. Would you be able to share the most influential memory with us?

spring postcards

credit: gloria marigo
visit www.gloriamarigo.com for more

a chin-wag with gloria marigo.

Italian photographer Gloria Marigo chats to Clementine about the girl behind the lens...

Your work feels very nostalgic and almost secretive; are there any stories behind your projects that you'd like to share? Any specific memories or people that they address?

vacancy.

credit: alistair edwards

the way we were.

by kimberley veart 

You can feel distance in the delays on a telephone call. In the resounding, echoing quiet. If you count the seconds you can count the miles. 

To fill the void, you talk and I talk. We are drowning each other out, words descending into white noise. 

We are forced to abandon this futile attempt at communication.

"Can you hear me?"

tea party.




credit: stephanie lee

myrtle.

by charlotte guest

Today I was handed the obituaries in class. I took this as a bad sign.

We were using the newspaper for a linguistics exercise, and I got death. The girl next to me had a headline about incest. I was surrounded by death and Deliverance*. I took this as an intensely bad sign.